For the first time, the MAMAC is devoting an exhibition to the artist Daniel Spoerri, a member of the Nouveau Réalisme, close to Fluxus, and initiator of Eat Art.
Eschewing the retrospective, this monograph gives an account of the way in which the artist deals with chance, the anecdote and the derisory, with emotion as the starting point. It articulates the artist's research into a new form of art that aims to go beyond the field of representation in favour of an expanded, participatory and collaborative sensory experience.
The exhibition is like a stroll through a fairground theatre with its traps, its cabinets of curiosities and its banquets. With nearly 300 works and documents, it offers a labyrinthine journey through the art of appropriation, from its first trap paintings to the creation of unusual museums, via the art of the table and the kitchen.
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